Gayatri Sinha is an art critic, curator and has founded Critical Collective. Her primary areas of enquiry are around the structures of gender and iconography, media, economics and social history.
In her work with Critical Collective she seeks to promote discourse and knowledge within cultural practices through active public exchange.
As curator her work has cited the domains of photography and lens based work from archival and contemporary sources. Currently she is working on a yearlong video project for the Dr. Bhau Daji Lad Museum, Mumbai. Curatorial projects include: Water, Musee d'Ansembourg and the Grand Curtius Museum, Liege, 2013; Ideas of Sublime, Lalit Kala Akademi, 2013; Cynical Love:Life in the everyday, Kiran Nadar Museum, 2011; Looking Glass: The Existence of Difference, Religare Arts Initiative, Max Mueller Bhavan, British Council, 2010; Public Places, Private Spaces: Contemporary Photography and Video Art in India, The Newark Museum, New Jersey, 2007 and Minneapolis Institute of Arts, 2008; Vilas: The Idea of Pleasure, Birla Academy, Mumbai, 2000; The Self and the World, Women artists at the National Gallery of Modern Art, 1997.
She has edited Voices of Change: 20 Indian Artists (Marg, 2010), Art and Visual Culture in India 1857- 2007 (Marg Publications, 2009); Indian Art: an Overview (Rupa Books, 2003); Woman/Goddess (1998) among many others.
Relocating peripheries: Kathmandu Triennale
Reflections on the KMB - Forming in the pupil of an eye by Roobina Karode
Protagonist of Tradition: A legend passes
Reconstructing Visual Imagery in the Age of Mass Production by Arshiya Lokhandwala
T J Demos speaks to Gayatri Sinha
Where do we come from? Where are we? Where are we going? by Gayatri Sinha
A Bearer of Intimate Signs by Gayatri Sinha
Edge of the Precipice - The Art of Rameshwar Broota by Gayatri Sinha
Ideas of the Sublime by Gayatri Sinha